” A lifetime of the artist drawing from the nude model has given way to placing the drawn figure within an atmosphere. Some paintings include a friend or partner. The figures may find themselves hidden, lost or within a mysterious cloud.” Roslyn Fassett Nov., 2020
We are remaining closed til further notice to help facilitate social distancing. Check back here for updates. Jerry Novesky’s exhibition will be in August hopefully.
Venue: Amity Gallery in Amity, NY
Opening Reception: Saturday, April 4, from 5 – 7 pm
Exhibit: Month of April, Saturdays and Sundays from 1 – 4 pm
(East) Coastal reflects more than 15 years of travel up and down the Atlantic Coast from Key West to Nova Scotia. The photos in this exhibit focus on major elements of the very special coastal environment. Where sea and land and sky meet, things seem to be just a bit more intense, more beautiful, more powerful.
Co-founder (with his wife, Janet Crawshaw) and former editor-in-chief of The Valley Table magazine, Jerry Novesky grew up in Middletown and earned a Master’s Degree in Creative Writing (poetry) from Ohio University. He has published dozens of articles and photographs in diverse publications ranging from Darkroom Photography and The American Fly Fisher to Audubon Action and American Health, and has edited more than two dozen books on natural history, outdoor recreation and Hudson Valley history.
PechaKucha nights are fun, informal gatherings where people share their stories and passions in a concise format.
Saturday, April 18, 2020 at 8 pm – 9:30 pm
PechaKucha Nights are fun, informal gatherings where people share their stories and passions in a concise format. The presenter talks along with 20 images that are each projected for 20 seconds. the talk lasts 51/2 minutes. PechaKucha started in Japan and is not in more than 1000 cities around the world.
Suggested Donation – $5
In the Outback
In 1972, Keith Stewart lived for four months in a gorge in Australia’s remote Northern Territory. “ With no humans around, I became chummy with a large monitor lizard who I named Cedric. Most days Cedric came to my camp to spend time with me and eat fish.”
Where’s the Moose?
Hiking to waterfalls in New Hampshire and searching for moose, Linda Marchisio and her daughter learn that finding a moose was not the most important quest after all.
Those Were the Days: Coming of Age with Motorcycles
Everyone goes through a crazy, mysterious “coming-of-age” period of life. Ken Karnas revisits his own late 1960s coming-of-age that he navigated, mostly, on two wheels.
Teen Years in Westchester
In the second chapter of her graphic memoir, Pat Foxx faces life in a new school, family dynamics and a glimpse into the future.
Anne Hanson shares thirteen images depicting a Toothbrush adapting to various conditions.
Natives, invasive and wild foraging
Ever wondered what’s the deal with native species, and aren’t some non-native species okay to keep around? And what about poking around in the forests for wild foods?
There will be an opening reception for Ilonka Karasz’ artwork at the Albert Wisner Library in Warwick, NY on Sunday, March 8 from 1:00 pm until 3:00 pm. Paul Kane will give a short talk about her life and work at 1:30.
In the early years of the last century, a fresh breeze from Europe blew through the world of art and design – a movement called “Modernism”. It was the time of Wiener Werkstätte design in furniture, colorful and original textiles, and astonishing interior decoration. Ilonka Karasz was part of this movement.
Born in Hungary in 1896, she was the daughter of a silversmith and grew up surrounded by the vibrant and colorful designs of Hungarian peasant art. She attended the Royal School of Arts and Crafts in Budapest, one of the first women to be admitted. She emigrated to the United States in 1913 and settled in Greenwich Village, then a lively center of the arts. In Greenwich village she felt free from the Old World prejudice that women could not compete with men in art, and quickly established herself as an artist of unique ability, diversity and energy. She worked with other European emigres to help establish the Modern movement in America, with an emphasis on the applied arts. They founded Modern art schools, published magazines, held important exhibits and established ties to manufacturers. Ilonka often found herself the only woman in these worlds, but moved on a par with the men, working in and winning reknown in a wide variety of fields, including textile, furniture, ceramics, silver, wallpaper and interior design, as well as magazine and book illustration. She was a well-known designer of covers for “The New Yorker” magazine, designing 186 covers over five decades.
Ilonka Karasz Photo Gallery from the show of her work at the Amity Gallery last year.
Throughout the many decades of her career, she was able to find a new and fresh expression for her art, experimenting with new materials and methods, and adapting to the changing times. This could be attributed partly to the fact that she had, from her earliest years, a deep appreciation of Nature, and a wish to
understand its laws. In her article “Inspiration” she wrote: “It is in us that God meets with Nature and yesterday parts from tomorrow. There is no other place to look for inspiration except in this unique place that man has within himself, where nature and all new possibilities exist.”
She was the wife of Willem Nyland, the founder of the Chardavogne Group in Warwick, NY, and lived here in the last years of her life. This exhibit at the Warwick Public library, which will open on Sunday March 8, 2020 and end on April 15, will give an overview of her career. There will be an opening reception from 1:00 to 3:00 pm in the Library’s Board room, with a talk given at 1:30 by Paul Kane.